Plan
Agree on references, material, deadline and quote before starting.
RIO DE JANEIRO · ACROSS BORDERS
Your film’s color.
Wherever you are.
Remote color grading with Elieser Jairo. DaVinci Resolve, shared references and care for every shot.
A SIMPLE WORKFLOW
From brief to delivery.
Color grading
Color correction and creative treatment in a dedicated grading studio.
Remote review
Review copy by link. Feedback by message or email. Revisions agreed in the quote.
Delivery
Approved final renders, in the agreed formats and versions.
ELIESER JAIRO · COLORISTA
Distance changes.
The care stays.
I am Elieser Jairo, a film and audiovisual colorist. Since 2011, I have worked with production companies, agencies and filmmakers. Your production can stay remote while its color is developed in the studio, with calibrated FSI monitors, DaVinci Resolve and ScopeBox.
FSI · DaVinci ResolveScopeBox · Tangent Elements
Close to your film.
Across borders.
Based in Rio de Janeiro, Brazil, with remote services for productions in Florida, USA, and elsewhere. Transfer, feedback and delivery are agreed around your project and time zone. The physical studio is in Rio.
Before we begin.
More about the service
Rio de Janeiro studio · Remote services
I am Elieser Jairo, a film and audiovisual colorist. I have worked with production companies, agencies and filmmakers since 2011, providing color correction and color grading in DaVinci Resolve. You can manage your project remotely, from agreeing on visual references to reviewing and receiving the final render.
Request a quote · View filmography
A film colorist working closely with your production
Remote services connect your production to the studio without requiring your team to travel. The starting point is the intention behind the image: references from the director and cinematographer, the visual language and the film’s intended screening or delivery destination. Films, series and commercials have different needs, so the scope is agreed for each project.
Color correction balances exposure, contrast and color and seeks consistency between shots. Color grading develops the creative look. Audiovisual colorimetry helps guide these decisions in a controlled environment with calibrated FSI monitors, DaVinci Resolve, a Tangent Elements panel and ScopeBox.
How remote color grading works
- Brief and quote. Send the runtime, desired deadline, visual references and delivery destinations. Include the editing stage and available material so we can assess the scope before starting.
- Transfer and preparation. We agree on file formats, organisation and source materials during planning. The studio has a dedicated 500 Mb/s upload connection; transfer times also depend on the file volume and the sender’s connection.
- DaVinci Resolve color grading. The treatment follows the agreed references and the needs of each sequence, aiming for a coherent visual narrative.
- Remote review. You receive a review copy via a link and send feedback by message or email. Included revisions and approval arrangements are agreed in the quote. A review copy does not replace assessment on a calibrated monitor.
- Final render and delivery. Once approved, final files are prepared according to the agreed scope. Formats, versions, deadline and transfer method are defined for the production.
Remote color grading for productions in Florida
The physical studio is in Rio de Janeiro, Brazil. Production teams in Florida, USA, can send material and review the work remotely, with communication and review times agreed around the time difference. Discuss your screening and delivery requirements at the start so the scope is clear.
The same remote workflow is available for productions elsewhere. Information is also available in Portuguese and in Spanish. Remote service does not imply a physical studio in the production’s location.
Color grading and DCP mastering for digital cinema
If the project is headed for a cinema or festival, color grading and DCP creation and mastering can be quoted together. The festival or venue’s specifications guide the cinema package, and required versions are agreed after reviewing the material.
Explore color correction and color grading · Explore DCP creation for cinemas and festivals
Before we begin
Do I need to be in Rio de Janeiro?
Not for remote services. Planning, material transfer, feedback and delivery can take place remotely. Any in-person stage must be agreed separately.
Does this include editing or DaVinci Resolve training?
This page describes color correction and color grading services. Editing, other post-production stages or training should not be assumed to be included; describe what you need so we can establish the scope.
What does it cost, and how long does it take?
Every quote is tailored to the project. Runtime, source material, delivery versions, revisions and deadline influence the work. Send these details for a proposal suited to your production.
Let’s talk about your film’s image
Send your visual references and production details. We can align the color treatment, remote review and final delivery with your project’s destination.